Tea and Morphine: Women in Paris, 1880 to 1914
January 25, 2014 - May 18, 2014
- Paul Albert Besnard Morphinomanes ou Le plumet [Morphine Addicts or The Plume] 1887 Etching, drypoint and aquatint, 12 3/4 x 17 in.
- Eugene Grasset La Morphinomane [The Morphine Addict] 1897 Color lithograph, 22 ½ x 16 7/8 inches.
- Henri Jean Guillaume Martin Femme Couronnée d’épines [Woman Crowned with Thorns] 1897 Color lithograph, 22 ½ x 17 inches.
- Francis Jourdain La Lecture [The Reader] c. 1900 Color etching and aquatint, 24 x 17 ¼ inches.
- Georges de Feure La source du mal [The Source of Evil] 1894 Color lithograph, 13 5/8 x 9 15/16.
- Louis Abel-Truchet program for Le Théatre Libre’s production of The Smoke, then the Flame 1895 Color lithograph, 9 ½ x 12 1/8 inches (24.1 x 30.8 cm). Collection UCLA Grunwald Center for the Graphic Arts. Purchase. Photograph by Brian Forrest.
- Eugène Grasset La vitrioleuse [The Acid Thrower] 1894 Photo-relief with water-color stenciling, 22 7/8 x 18 inches (58.1 x 45.7 cm). Collection UCLA Grunwald Center for the Graphic Arts, Hammer Museum. Promised Gift of Elisabeth Dean. Photograph by Brian Forrest.
- Eugène Grasset cover for the sheet music of Enchantement by Jules Massenet c. 1890 Chromotypography, 13 ¾ x 10 ½ inches (34.9 x 26.7 cm). Collection UCLA Grunwald Center for the Graphic Arts, Hammer Museum. Promised Gift of Elisabeth Dean. Photograph by Brian Forrest.
- Alfredo Müller Beatrice c. 1899 Etching and aquatint, 25 x 19 ½ inches (63.5 x 49.5 cm). Collection UCLA Grunwald Center for the Graphic Arts, Hammer Museum. Promised Gift of Elisabeth Dean. Photograph by Brian Forrest.
Whether as angelic creatures or exotic lures, women filled the imaginations of artists and constituted the great subject of fin-de-siècle art. Those who had leisure time were depicted relaxing with an afternoon cup of tea, as seen in a Mary Cassatt etching, whereas other artists portrayed the drug addiction common to women facing harsh economic realities. These extremes, and the positions in between, set the parameters for the exhibition of approximately 100 works, which includes prints as well as rare books and ephemera (such as menus, theater programs, and music scores). This array of objects gives the exhibition an intimate quality, revealing much about how women – and men – lived their lives during a time of great social upheaval and artistic innovation.
This will be the first, large-scale exhibition of the Elisabeth Dean Collection since a 1986 exhibition at the Fresno Art Museum, when the collection was only six years old. Tea and Morphine will be the public’s first opportunity to appreciate the growth of the Elisabeth Dean Collection and to understand the scope of this important body of work.
Tea and Morphine is co-curated by Cynthia Burlingham, Director, Grunwald Center for the Graphic Arts and Deputy Director, Curatorial Affairs at the Hammer Museum, and Victoria Dailey, Independent Curator.