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Allegra Pesenti, curator for the Grunwald Center for Graphic... More
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- NOV 09 SUN
- 01:00pm
- Hammer Lectures Save to Calendar
Gouge: Curator's Walkthrough
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Luis Collazo
America Latina, Unete! (Latin America, Unite!)
1960
Woodcut, 33-7/8 x 87-1/8 inches (image), 38-1/4 x 91-3/8 inches (sheet). Collection of UCLA Grunwald Center for the Graphic Arts, Hammer Museum. Gift of Dr. and Mrs. Maurice Zeitlin. Photo by Brian Forest.
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Terry Winters
Furrows IV (detail)
1989
Printed by Francois Lafranca, published by Peter Blum Editions. 25-1/2 x 19-5/8 inches (image); 27 x 21-3/8 inches (sheet). Collection UCLA Grunwald Center for the Graphic Arts, Hammer Museum. Purchased with funds provided by The Buddy Taub Foundation, Jill and Dennis Roach, Directors. Photo by Brian Forrest.
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Anselm Kiefer
Grane
1980-93
Woodcut with paint and collage additions, 109-1/16 x 98-1/2 inches (image and sheet, irregular). The Museum of Modern Art. Purchased with funds given in honor of Riva Castleman by The Committee on Painting and Sculpture, The Associates Fund, Molly and Walter Bareiss, Nelson Blitz, Jr. with Catherine Woodard and Perri and Allison Blitz, Agnes Gund, The Philip and Lynn Straus Foundation, Howard B. Johnson, Mr. and Mrs. Herbert D. Schimmel, and the Riva Castelman Endowment Fund.
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Paul Gauguin
Te Atua (The Gods) from Noa Noa
1893-4
One from a series of ten woodcuts, 8-1/16 x 14 inches (image); 9-3/4 x 14-13/16 inches (sheet). The Museum of Modern Art. Gift of Abby Aldrich Rockefeller.
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Georg Baselitz
The Eagle
1981
Woodcut, 25-1/2 x 19-5/8 inches. Victoria and Albert Museum, London. E.945-1983.
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Félix Vallotton
Three Bathers
1894
Woodcut on beige wove paper, 11-5/16 x 8-5/8 inches. National Gallery of Art, Washington. Gift of Gaillard F. Ravenel and Frances P. Smyth-Ravenel, 2000.
Gouge: Curator's Walkthrough
Allegra Pesenti, associate curator of the Grunwald Center for the Graphic Arts at the Hammer Museum and curator of "Gouge: The Modern Woodcut 1870 to Now" will lead a walkthrough of the exhibition, which examines the woodcut in terms of its diverse forms and uses in the modern era.
Public programs are made possible by a major gift from Ann and Jerry Moss.
Additional support is provided by Laura Donnelley, Bronya and Andrew Galef, and the Hammer Programs Committee.
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